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| Composer: | Bach, Johann Christoph Friedrich | |||||
| Title: | Wachet auf, ruft uns die Stimme | |||||
| Publisher: | San Francisco Bach Choir edition | |||||
| Edition ref.: | ||||||
| Copyright: | ||||||
| Corrections: | movt.I, m.80 | Bass | “sied” should be “seid” | |||
| movt.II, m.36 | Bass | “Wuachter” should be “Wächter” | ||||
| movt.II, m.96 | Bass | “machtig” should be “mächtig” | ||||
| movt.IV, m.43 | Bass | “Feu-” should be “Freu-” | ||||
| Composer: | Bach, Johann Sebastian | |||||
| Title: | Komm, Jesu, Komm | |||||
| Publisher: | Choral Public Domain Library | |||||
| Edition ref.: | ||||||
| Copyright: | None | |||||
| Corrections: | m.4 | Choir I, Sop. | Underlay should be identical to ATB | |||
| m.20 | Choir II, Bass | First note should low C | ||||
| m.27 | Choir II, Bass | First note should be E natural, not E flat | ||||
| m.41 | Choir II, Alto | Text missing, should be "Frie-" | ||||
| m.42 | Choir I, Bass | Underlay is wrong; first two notes should be sung to "dei-" | ||||
| m.49 | Choir II, Alto | First word should be "Weg," not "wird" | ||||
| m.73 | Choir II, Bass | Fourth note should be A flat, not A natural | ||||
| m.74 | Choir I, Alto | A sharp should be A natural | ||||
| m.110 | Choir I, Sop. | High F should be F natural | ||||
| m.110 | Choir II, Sop. | High F should be F natural | ||||
| m.145 | Choir II, Tenor | First note should be F, not D | ||||
| m.159 | Choir I, Tenor | Underlay is wrong; remove "-ben" | ||||
| m.160 | Choir I, Tenor | Underlay is wrong; "die" should be "-ben" | ||||
| m.161 | Choir I, Bass | First note (tied) should be F, not E flat | ||||
| m.188 | Tutti | Underlay is wrong; "Wil" should be "Weil" | ||||
| NOTE: Advisory accidentals are not used in this edition; therefore, unless specifically indicated, the key signature governs each measure. | ||||||
| Composer: | Bainton, Edgar F. | |||||
| Title: | Summer | |||||
| Publisher: | Joseph Williams | |||||
| Edition ref.: | W.4667 | |||||
| Copyright: | 1924 | |||||
| Corrections: | p.4, m.8 | Alto | Penultimate note should be 1/16th, not 1/8th | |||
| Composer: | Bantock, Granville | |||||
| Title: | A Grammarian's Funeral (Three Choruses for Male Voices, 2) | |||||
| Publisher: | Oxford University Press | |||||
| Edition ref.: | Male Voices OCS 616 | |||||
| Copyright: | 1930 | |||||
| Corrections: | p.19, m.1 | Piano | Final 1/4 note should B flat, not C | |||
| p.20, m.5 | Tenor 2 | First note should be dotted | ||||
| Composer: | Bantock, Granville | |||||
| Title: | Lady Fame (A Pageant Of Human Life, 6) (See below for No. 8) | |||||
| Publisher: | Novello | |||||
| Edition ref.: | 14011 | |||||
| Copyright: | 1914 | |||||
| Corrections: | p.20, m.5 | Sop. II | First note should be dotted | |||
| Composer: | Bantock, Granville | |||||
| Title: | Lady Eternity (A Pageant Of Human Life, 8) | |||||
| Publisher: | Novello | |||||
| Edition ref.: | 14011 | |||||
| Copyright: | 1914 | |||||
| Corrections: | p.31, m.4 | Alto II | First note should be F natural, not F sharp | |||
| Composer: | Bantock, Granville | |||||
| Title: | The Golden Journey to Samarkand | |||||
| Publisher: | C.C. Birchard | |||||
| Edition ref.: | 1020 | |||||
| Copyright: | 1923 | |||||
| Corrections: | p.8, m.1 | Alto | “mur-mer” should be “mur-mur” | |||
| p.14, m.5 | Alto | 1/2 rest missing | ||||
| p.15, m.3 | Tenor | “-bly” missing from underlay | ||||
| p.17, m.1 | Soprano II | Bracket for triplet is missing | ||||
| p.22, m.9 | Soprano | 1/4 rest missing | ||||
| Composer: | Bantock, Granville | |||||
| Title: | Will They Ever Come To Me (Five Choral Songs from 'The Bacchae,' 3) | |||||
| Publisher: | Joseph Williams | |||||
| Edition ref.: | J.W. 16603 | |||||
| Copyright: | 1930 | |||||
| Corrections: | p.15, m.6 after A | Mezzo | A's should be A flat | |||
| Composer: | Bax, Arnold | |||||
| Title: | This Worldes Joie | |||||
| Publisher: | Chappell | |||||
| Edition ref.: | ||||||
| Copyright: | 1943 | |||||
| Corrections: | p.5, m.10 | Sop. II | Second note should be C flat, not C | |||
| p.5, m.11 | Sop./Tenor | "We shall" should be tutti | ||||
| p.6, m.7 | Bass I | f should be marked over second, not fifth, note | ||||
| p.11, m.3 | Bass II | Second note should be E natural, not E flat | ||||
| p.11, m.7 | Bass II | First note should be 1/8th, tied to previous measure | ||||
| p.12, m.9 | Bass II | First note should be tied to previous measure | ||||
| Composer: | Beach, Amy (Mrs. H.H.A.) | |||||
| Title: | The Sea-Fairies (op. 59) | |||||
| Publisher: | Recital Publications | |||||
| Edition ref.: | 344 | |||||
| Copyright: | 1992/1996 | |||||
| Corrections: | p.8, m.21 | L.H. piano score | Fourth note should be F natural, not F flat | |||
| p.10, m.8 | Contralto I | 2 1/4 rests missing | ||||
| p.13, m.12 | R.H. piano score | Final B should be B sharp | ||||
| p.26, m.3 | L.H. piano score | C should be C natural | ||||
| p.26, m.4 | L.H. piano score | C should be C natural | ||||
| Composer: | Bennet, John | |||||
| Title: | Thyrsis, Sleepest Thou? | |||||
| Publisher: | Choral Public Domain Library | |||||
| Edition ref.: | ||||||
| Copyright: | ||||||
| Corrections: | m.11 | Bass | Advisory natural accidental should be added to E | |||
| m.22 | Bass | Advisory natural accidental should be added to E | ||||
| m.27 | Tenor | "sin - eth" should be "sing - eth" | ||||
| mm.42-end | Bass | Underlay missing | ||||
| mm.44-45 | Bass | Underlay should be "to (A) Lon- (G) don (F)" | ||||
| Composer: | Bennett, Richard Rodney | |||||
| Title: | Heare Us, O Heare Us, Lord (Verses, 3) | |||||
| Publisher: | Universal | |||||
| Edition ref.: | 14160 | |||||
| Copyright: | 1965 | |||||
| Corrections: | p.4, m.2 | Tutti | Time signature should change to 3/2 | |||
| p.4, m.3 | Tutti | Time signature should change to 4/4 | ||||
| Composer: | Berg, Alban | |||||
| Title: | Es ist ein Reis entsprungen | |||||
| Publisher: | Universal Edition | |||||
| Edition ref.: | 18408 | |||||
| Copyright: | 1985 | |||||
| Corrections: | m.8 | Sop. | A flat should be A natural | |||
| Composer: | Blow, John | |||||
| Title: | Let Thy Hand Be Strengthened | |||||
| Publisher: | Choral Public Domain Library | |||||
| Edition ref.: | Rafael Ornes edition | |||||
| Copyright: | 1999 | |||||
| Corrections: | m.24 | Tenor | Third note is A, not G | |||
| Composer: | Boughton, Rutland | |||||
| Title: | The Faery Chorus | |||||
| Publisher: | Stainer & Bell | |||||
| Edition ref.: | CL 342 | |||||
| Copyright: | 1920 | |||||
| Corrections: | p.4, m.8 | Bass | First note should be "la," not "l" | |||
| Composer: | Bourgeois, Derek | |||||
| Title: | Break, Break, Break (op. 134) | |||||
| Publisher: | Sibelius Music | |||||
| Edition ref.: | None stated | |||||
| Copyright: | None stated | |||||
| Corrections: | p.3, m.4 | Soprano II/Alto | "ten der" should be "ten-der" | |||
| Composer: | Bouzignac, Guillaume | |||||
| Title: | Noe, Noe, Pastores | |||||
| Publisher: | Broude Brothers | |||||
| Edition ref.: | CR 44 | |||||
| Copyright: | 1986 | |||||
| Corrections: | m.39 | Soprano I | 1/4 rest missing | |||
| m.90 | Bass | First note should be dotted | ||||
| Composer: | Boydell, Brian | |||||
| Title: | I Loved A Lass | |||||
| Publisher: | Curwen | |||||
| Edition ref.: | 61544 | |||||
| Copyright: | 1964 | |||||
| Corrections: | p.2, s.1, m.1 | Sop. | First note is E, not C | |||
| p.2, s.2, m.1 | Bass | "alas" should be ranged with Alto | ||||
| p.2, s.4, m.3 | Alto | B should be 1/8th | ||||
| p.3, s.1, m.2 | Sop. | 1/8th rest omitted | ||||
| p.3, s.1, m.6 | ATB | 1/8th rest should be 1/4th | ||||
| p.3, s.3, m.3 | Tenor | 1/8th rest should be 1/4th | ||||
| p.3, s.4, m.2 | Bass | B natural should be dotted | ||||
| p.3, s.4, m.3 | Sop. | Rhythm of first 2 notes should be reversed | ||||
| Composer: | Briggs, David | |||||
| Title: | When Waters Kiss | |||||
| Publisher: | Allegro Music | |||||
| Edition ref.: | ||||||
| Copyright: | 1996 | |||||
| Corrections: | m.8 | Bass | Tie missing onto m.9 | |||
| m.28 | Soprano II | Natural accidental is redundant | ||||
| Composer: | Bruch, Max | |||||
| Title: | Sommerlust im Walde (op. 71, 1) | |||||
| Publisher: | Heinrichshofen | |||||
| Edition ref.: | N 2074 | |||||
| Copyright: | 1988 | |||||
| Corrections: | p.6, m.1 | Sop. | Should be marked "unison" after first note | |||
| p.6, m.4 | Bass | Should be marked "unison" after first note | ||||
| Composer: | Bruckner, Anton | |||||
| Title: | Virga Jesse | |||||
| Publisher: | Alexander Broude | |||||
| Edition ref.: | AB 1008 | |||||
| Copyright: | 1984 | |||||
| Corrections: | m.70 | Bass | G's should be sharpened | |||
| Composer: | Buck, Dudley | |||||
| Title: | Hymn To Music | |||||
| Publisher: | Banks | |||||
| Edition ref.: | York Series 216 | |||||
| Copyright: | ||||||
| Corrections: | p.3, m.12 | Alto | Underlay should be "fold-ed" | |||
| p.5, m.13 | Alto | ff should be marked over first, not second, note | ||||
| p.6, m.8 | Piano Reduction | L.H. lowest first note should be G, not A | ||||
| p.7, m.6 | Alto II | Last note should be C flat | ||||
| p.8, m.5 | Sop. | First 2 notes should be tied; delete slur | ||||
| p.8, m.7 | Piano Reduction | R.H. lowest first note should be G flat, not G | ||||
| p.8, m.9 | Tenor | Last note should be in small type only, as optional part | ||||
| p.9, m.6 | Piano Reduction | 2nd beat should be B natural, not B flat | ||||
| p.9, m.9 | Alto | First note should be staccato | ||||
| p.11, m.4 | Tutti | Should be marked "Allegro," as in reduction | ||||
| p.11, m.11 | Alto | Last note should be staccato | ||||