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| Composer: | Handl, Jakob | |||||
| Title: | Oderunt hilarem tristes | |||||
| Publisher: | CMM - collected edition | |||||
| Edition ref.: | None | |||||
| Copyright: | None stated | |||||
| Corrections: | m.16 | Bass I | Third note should be F, not G | |||
| Composer: | Handl, Jakob | |||||
| Title: | Tribus Miraculis | |||||
| Publisher: | Carl Fischer, Inc. | |||||
| Edition ref.: | CM 8328 | |||||
| Copyright: | 1990 | |||||
| Corrections: | m.56 | Choir III Bar. | Underlay should be “nus;” | |||
| Composer: | Harris, Roy | |||||
| Title: | Freedom, Toleration | |||||
| Publisher: | Mills Music | |||||
| Edition ref.: | 64429 | |||||
| Copyright: | 1941 | |||||
| Corrections: | p.3, m.16 | Tutti | “dem-o-car-tic” should be “dem-o-cra-tic” | |||
| p.7, m.5 | Alto/Tenor | “dem-o-car-tic” should be “dem-o-cra-tic” | ||||
| p.7, m.6 | Bass | “dem-o-car-tic” should be “dem-o-cra-tic” | ||||
| p.10, m.7 | Tutti | “dem-o-car-tic” should be “dem-o-cra-tic” | ||||
| Composer: | Harris, Roy | |||||
| Title: | Song for all seas, all ships (Symphony for Voices, 1) (See below for No. 2) | |||||
| Publisher: | G. Schirmer | |||||
| Edition ref.: | 8286a | |||||
| Copyright: | 1939 | |||||
| Corrections: | mm.87-115 | Bass | Underlay missing; retain “o - ah” pattern | |||
| mm.90-116 | Soprano | Underlay missing; retain “ah - o” pattern | ||||
| mm.94-116 | Alto | Underlay missing; retain “ah - o” pattern | ||||
| m.100 | Tenor | First note should be 1/4, not 1/8th | ||||
| Composer: | Harris, Roy | |||||
| Title: | Tears (Symphony for Voices, 2) | |||||
| Publisher: | G. Schirmer | |||||
| Edition ref.: | 8315a | |||||
| Copyright: | 1939 | |||||
| Corrections: | m.8 | Soprano II | Second note should be A flat | |||
| m.42 | Alto/Tenor | “shade” should be 1/4, not 1/8th | ||||
| Composer: | Harris, Roy | |||||
| Title: | To Thee, Old Cause | |||||
| Publisher: | Mills Music | |||||
| Edition ref.: | 64431 | |||||
| Copyright: | 1941 | |||||
| Corrections: | p.3, m.20 | Tutti | Whitman’s original is “thee,” not “us.” | |||
| Composer: | Hassler, Hans Leo | |||||
| Title: | Ein Feste Burg | |||||
| Publisher: | Choral Public Domain Library | |||||
| Edition ref.: | ||||||
| Copyright: | None | |||||
| Corrections: | Title | Should be “Ein’ Feste Burg” | ||||
| m.4 | Sop. | Transfer phrase mark from Alto | ||||
| m.4 | Alto | Put syllable on G sharp, not tied A | ||||
| m.8 | Tutti | v.2, “stret’t” should be “streit’t” | ||||
| m.12 | Tutti | v.1, “-strof-” should be “-trof-” | ||||
| m.16 | Tutti | v.3, “saur” should be “sau’r” | ||||
| m.16 | Tutti | v.4, “Ehr” should be “Ehr’” | ||||
| m.17 | Tutti | v.4, “la” should be “lass” | ||||
| m.18 | Tutti | v.3, “nichts” should be “nicht” | ||||
| m.22 | Tutti | v.1, “seins glei-” should be “seinsglei-” | ||||
| Composer: | Haydn, Michael | |||||
| Title: | Ave Regina (MH 118) | |||||
| Publisher: | Carus | |||||
| Edition ref.: | 50.340.10 | |||||
| Copyright: | 1987 | |||||
| Corrections: | m.213 | Sop. 2 | Add text “O” | |||
| m.214 | Sop. 2 | Change underlay to “val-de” | ||||
| m.215 | Sop. 2 | Slur beats 2 and 3 | ||||
| m.215 | Sop. 2 | Change underlay to “de-co-” | ||||
| Composer: | Haydn, Michael | |||||
| Title: | Jesu, Redemptor Omnium (MH 313) | |||||
| Publisher: | Carus | |||||
| Edition ref.: | 50.340.20 | |||||
| Copyright: | 1987 | |||||
| Corrections: | mm.39-41 | Alto | Change underlay to: | |||
| m.39, “-ti-” / v.2 “re” | ||||||
| m.40, “-us” / v.2 “-a” | ||||||
| m.40, final two notes, “cle-” / v.2 “ter-” | ||||||
| m.41, “-men-” | ||||||
| Composer: | Heiden, Bernhard | |||||
| Title: | Divine Poems | |||||
| Publisher: | Associated Music Publishers, Inc. | |||||
| Edition ref.: | A-183 | |||||
| Copyright: | 1954 | |||||
| Corrections: | p.19, m.11 | R.H. piano score | Second note should be C sharp | |||
| p.30, m.64 | Bass | 1/8th notes should be G A (like piano) | ||||
| Composer: | Heiller, Anton | |||||
| Title: | Grad dort | |||||
| Publisher: | Doblinger (?) | |||||
| Edition ref.: | ||||||
| Copyright: | 1951 | |||||
| Corrections: | v.6 | Tenor | “Wa” should read “Was” | |||
| Composer: | Herbeck, Johann Ritter von | |||||
| Title: | Pueri, concinite | |||||
| Publisher: | OUP/Church Music Society | |||||
| Edition ref.: | CMS reprint 97 | |||||
| Copyright: | 2001 | |||||
| Corrections: | m.26 | Solo | “dementia” should read “clementia” | |||
| m.42 | Organ | First bass note is C, not E; cf. m.3 | ||||
| m.64 | Sop. | 2nd note is F sharp, not G | ||||
| Composer: | Holmboe, Vagn | |||||
| Title: | Solhymne | |||||
| Publisher: | Walton / Wilhelm Hansen | |||||
| Edition ref.: | WH 110 | |||||
| Copyright: | 1961 | |||||
| Corrections: | p.10, m.1 | Bass I | 1/8th rest omitted (should be 2 rests, not 1) | |||
| p.12, s.2, m.4 | Tutti | Suggested addition of “the” after “all” in English text | ||||
| Composer: | Holmes, John | |||||
| Title: | Thus Bonny-Boots | |||||
| Publisher: | Handlo Music | |||||
| Edition ref.: | H-IT-A | |||||
| Copyright: | 1998 | |||||
| Corrections: | m.27 | Bass/Piano red. | Last note should be E, not F | |||
| Composer: | Holst, Gustav | |||||
| Title: | Swansea Town (Six Choral Folksongs, #6) | |||||
| Publisher: | G. Schirmer | |||||
| Edition ref.: | 8097 | |||||
| Copyright: | 1917 | |||||
| Corrections: | p.4, m.4 | Alto | Dot missing from D | |||
| p.8, m.11 | Tenor | “for” missing from underlay | ||||
| Composer: | Hovland, Egil | |||||
| Title: | Jerusalem | |||||
| Publisher: | Walton | |||||
| Edition ref.: | WH 179 / HL 08500136 | |||||
| Copyright: | 1978 | |||||
| Corrections: | p.6 | Alto 2 | Remove dot from first note | |||
| Composer: | Howells, Herbert | |||||
| Title: | Sing Lullaby | |||||
| Publisher: | Stainer & Bell | |||||
| Edition ref.: | Carols No. 605 | |||||
| Copyright: | 1920 | |||||
| Corrections: | p.6, m.6 | Alto II | Third note should be F sharp | |||
| Composer: | Howells, Herbert | |||||
| Title: | The Summer Is Coming | |||||
| Publisher: | Novello | |||||
| Edition ref.: | PSB 1614 | |||||
| Copyright: | 1965 | |||||
| Corrections: | p.1, s.6, m.3 | Alto | Final note of “County” should be 1/4th, not 1/8th | |||
| p.4, m.5 | Alto | Reverse cluster on “of”; Alto I sing D, Alto II sing E | ||||
| p.7, m.4 | Sop. | C sharp should be C natural | ||||
| p.7, figure 4 | Tutti | 1/4 rest should be 1/8th rest | ||||
| p.7, m.7 | Tenor II | G sharp should be G natural | ||||