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| Composer: | Schlenck, John | |||||
| Title: | May Brahman Protect Us (Invocations, #2) (See also #5 below) | |||||
| Publisher: | Vedanta West Communications Inc. | |||||
| Edition ref.: | VAV S024 | |||||
| Copyright: | 1999 | |||||
| Corrections: | m.86 | Alto | Slur missing | |||
| Composer: | Schlenck, John | |||||
| Title: | O Thou Self-Luminous (Invocations, #5) | |||||
| Publisher: | Vedanta West Communications Inc. | |||||
| Edition ref.: | VAV S024 | |||||
| Copyright: | 1999 | |||||
| Corrections: | m.71 | Alto | Sharp should preface first A, not second | |||
| Composer: | Schönberg, Arnold | |||||
| Title: | Friede auf Erden (op. 13) | |||||
| Publisher: | Schott | |||||
| Edition ref.: | SKR 19.008 | |||||
| Copyright: | 1995 | |||||
| Corrections: | m.151 | Piano | Bass D flat should be B flat | |||
| Composer: | Schubert, Franz | |||||
| Title: | Gesang der Geister über den Wassern (D. 538) | |||||
| Publisher: | Breitkopf & Härtel | |||||
| Edition ref.: | Schubert Complete Edition, Series 16, 13 | |||||
| Copyright: | None stated | |||||
| Corrections: | p.4, m.2 | Bass II | Delay "-te" to the next note, to match earlier phrase, p.3, m.18 | |||
| Composer: | Schuman, William | |||||
| Title: | Te Deum | |||||
| Publisher: | G. Schirmer | |||||
| Edition ref.: | 9453 | |||||
| Copyright: | 1945 | |||||
| Corrections: | m.13 | Tenor | Breath marking should be before "Ti-" | |||
| Composer: | Schuman, William | |||||
| Title: | The Last Invocation (Carols of Death, 3) | |||||
| Publisher: | Merion Music (Theodore Presser) | |||||
| Edition ref.: | 342-40011 | |||||
| Copyright: | 1959 | |||||
| Corrections: | p.4, m.2 | Alto | Time signature should be 2/2, not 2/4 | |||
| Composer: | Schumann, Clara | |||||
| Title: | Drei gemischte Chöre (1848) | |||||
| Publisher: | Breitkopf & Härtel | |||||
| Edition ref.: | P-B. 3521 | |||||
| Copyright: | 1989 | |||||
| Corrections: | #3 Gondoliera | |||||
| m.6 | Alto | v.2 change underlay; first "es" should be "so" | ||||
| Composer: | Schumann, Robert | |||||
| Title: | Der Sänger (op. 145, 3) (See below for Nos. 1 and 5) | |||||
| Publisher: | SLCC own edition | |||||
| Edition ref.: | ||||||
| Copyright: | 2008 | |||||
| Corrections: | m.37 | Tutti | “Wau-” should be “Wan-” | |||
| Composer: | Schumann, Robert | |||||
| Title: | Der Schmidt (op. 145, 1) | |||||
| Publisher: | Choral Public Domain Library | |||||
| Edition ref.: | ||||||
| Copyright: | 2006 | |||||
| Corrections: | m.4 | Tutti | “hammer” should be “Hammer” | |||
| m.12 | Tutti | “-läu te” should be “-läu-te” | ||||
| m.15 | Tutti | “Ka” should be “Ka-” | ||||
| m.23 | Tutti | “flammen” should be “Flammen” | ||||
| m.28 | Ten./Bass | Cs should be Ds | ||||
| m.33 | Alto | First note should E flat, not D | ||||
| m.42 | Tenor II | Last F should be octave lower | ||||
| m.46 | Alto | Last note should D, not E flat | ||||
| m.47 | Alto | 3 Ds, not E flats | ||||
| m.57 | Sop./Alto | “rau schet” should be “rau-schet” | ||||
| Composer: | Schumann, Robert | |||||
| Title: | Die gute alte Zeit (Fünf Lieder, op. 55, 4) (See below for Fünf Lieder 5 and 2) | |||||
| Publisher: | Carus | |||||
| Edition ref.: | CV.40.277/30 | |||||
| Copyright: | 1988 | |||||
| Corrections: | m.32 | Bass | Last note should be F, not E | |||
| Composer: | Schumann, Robert | |||||
| Title: | Hochlandbursch (Fünf Lieder, op. 55, 5) | |||||
| Publisher: | Carus | |||||
| Edition ref.: | CV.40.277/10 | |||||
| Copyright: | 1988 | |||||
| Corrections: | Title | Text | Change "Bruns" to "Burns" | |||
| m.48 | Bass II | Remove upper A | ||||
| Composer: | Schumann, Robert | |||||
| Title: | Rastlose Liebe (op. 33, 5) | |||||
| Publisher: | Edition Music Contact | |||||
| Edition ref.: | EMC 201469 | |||||
| Copyright: | No date stated | |||||
| Corrections: | m.21 | Bass II | 'p' dynamic should apply to first note, "Ach" | |||
| m.52 | Tenor II | Remove comma after "Wind" | ||||
| Composer: | Schumann, Robert | |||||
| Title: | Romanze vom Gänsebuben (op. 145, 5) | |||||
| Publisher: | SLCC own edition | |||||
| Edition ref.: | ||||||
| Copyright: | 2008 | |||||
| Corrections: | m.9 | Tutti | “Shü” should be “’s hü-” | |||
| m.53 | Tutti | “Irh” should be “Ihr” | ||||
| Composer: | Schumann, Robert | |||||
| Title: | Zahnweh (Fünf Lieder, op. 55, 2) | |||||
| Publisher: | Carus | |||||
| Edition ref.: | CV.40.277/20 | |||||
| Copyright: | 1988 | |||||
| Corrections: | m.25 | Soprano | Change "elskalt" to "eiskalt" | |||
| Composer: | Schütz, Heinrich | |||||
| Title: | Das Ist Je Gewisslich Wahr (SWV 277) | |||||
| Publisher: | Choral Public Domain Library | |||||
| Edition ref.: | ||||||
| Copyright: | None | |||||
| Corrections: | m.74 | Sop. II | G should be G sharp (as in previous measure) | |||
| Composer: | Stevens, R.J.S. | |||||
| Title: | Sigh No More, Ladies | |||||
| Publisher: | Novello | |||||
| Edition ref.: | Part-Song Book | |||||
| Copyright: | None stated | |||||
| Corrections: | p.1, m.8 | Tutti | Rest should be 1/8th, not 1/4 | |||
| p.2, m.6 | Tutti | Rest should be 1/8th, not 1/4 | ||||
| p.3, m.6 | Alto | First note should be A, not G | ||||
| p.4, m.5 | Tutti | Rest should be 1/8th, not 1/4 | ||||
| p.4, m.8 | Bass | First note should be 1/8th, not 1/4 | ||||
| p.5, m.9 | Tenor | Second note should be D, not F sharp | ||||
| Composer: | Strauss II, Johann | |||||
| Title: | Thou Who Rulest / Tu Qui Regis | |||||
| Publisher: | RSCM | |||||
| Edition ref.: | A.433 | |||||
| Copyright: | 1988 | |||||
| Corrections: | p.12, m.1 | Bass | Replace tied notes with whole note | |||
| Here is a suggestion to make the Latin text sensible: | ||||||
| p.9, m.5 | Sop. | Text should read "gloriam tuam" | ||||
| p.10, mm.1-3 | Tutti | Text should read "semper nitamur" | ||||
| Composer: | Stravinsky, Igor | |||||
| Title: | Da Pacem (from Tres Sacrae Cantiones) (See below for more from Tres Sacrae Cantiones) | |||||
| Publisher: | Boosey & Hawkes | |||||
| Edition ref.: | ISMN M-060-02727-7 | |||||
| Copyright: | 1960 | |||||
| Corrections: | m.16 | Quintus | Underlay missing for first note; should be "no-" | |||
| Composer: | Stravinsky, Igor | |||||
| Title: | Illumina Nos (from Tres Sacrae Cantiones) | |||||
| Publisher: | Boosey & Hawkes | |||||
| Edition ref.: | ISMN M-060-02727-7 | |||||
| Copyright: | 1960 | |||||
| Corrections: | m.46 | Quintus | Dot missing from D quarter note for "te-" | |||
| m.48 | Tenor | Dot missing from B quarter note for "te-" | ||||
| m.70 | Septima Pars | "vi-ta" should be "vi-tae" | ||||
| m.73 | Tenor | Dot missing from B quarter note for "-a-" | ||||
| Composer: | Surinach, Carlos | |||||
| Title: | Living Flame of Love (Llama de amor viva) (Songs of the Soul, 2)
(Cuatro Canciones del Alma) (See also Nos. 3 and 4 below) | |||||
| Publisher: | Associated Music Publishers | |||||
| Edition ref.: | A-517 | |||||
| Copyright: | 1967 | |||||
| Corrections: | mm.40-43 | Alto | Should be marked "solo" | |||
| Composer: | Surinach, Carlos | |||||
| Title: | The Soul Longing (Delirio del alma) (Songs of the Soul, 3) (Cuatro Canciones del Alma) | |||||
| Publisher: | Associated Music Publishers | |||||
| Edition ref.: | A-518 | |||||
| Copyright: | 1967 | |||||
| Corrections: | m.91 | Bass | Last note should be C, not D | |||
| m.92 | Bass | Seventh note should D, not C | ||||
| m.113 | Alto | "ha ce-me" should be "ha-ce-me" | ||||
| m.194 | Alto | Eighth note rest missing (to match Bass) | ||||
| Composer: | Surinach, Carlos | |||||
| Title: | Joy in the Faith (Gozo a la fé) (Songs of the Soul, 4) (Cuatro Canciones del Alma) | |||||
| Publisher: | Associated Music Publishers | |||||
| Edition ref.: | A-519 | |||||
| Copyright: | 1967 | |||||
| Corrections: | m.181 | Bass | No rest; should be same as m.182 (to match reduction) | |||
| mm.191-192 | Tenor/Bass | "y de es te agua" should be "y de es-ta agua" | ||||
| mm.194-195 | Soprano/Alto | "y de es te agua" should be "y de es-ta agua" | ||||
| Composer: | Sweelinck, Jan Pieterzoon | |||||
| Title: | Hodie Christus Natus Est | |||||
| Publisher: | Warner Brothers | |||||
| Edition ref.: | Franco Colombo Choral Series 338 | |||||
| Copyright: | 1922/1969 | |||||
| Corrections: | p.7, m.3 | Soprano I | D whole note should be dotted | |||
| p.8, m.12 | Bass | Breath mark omitted (like Soprano II & Alto) | ||||