A

Composer: Animuccia, Giovanni
Title: Laudate Deo
Publisher: Choral Public Domain Library
Corrections: m.10 Sop. 1 Supply A half note to complete measure

Composer: Arcadelt, Jacques
Title: Il Bianco e Dolce Cigno
Publisher: Oxford University Press
Edition ref.: 0-19-343647-7 (Oxford Book of Italian Madrigals)
Copyright: 1983
Corrections: p.33 All voices Change "morte" to "morti"

Composer: Ashforth, Alden
Title: O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3)
Publisher: E.C. Schirmer
Edition ref.: 3137
Copyright: 1988
Corrections: m.11 Soprano/Alto Half note rest should be whole note rest
m.20 Alto D misplaced and half note rest missing (reduction is correct)
p.7 Tutti Replace "Jesu Christus" with "Jesum Christum"

Composer: Ashforth, Alden
Title: Viderunt Omnes (Three Christmas Motets, 3)
Publisher: E.C. Schirmer
Edition ref.: 3138
Copyright: 1988
Corrections: m.11 Soprano/Alto Half note rest should be whole note rest
m.24 Tenor "o-" omitted from second E flat

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B

Composer: Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)
Title: Ich lasse dich nicht / I’ll loose Thee, Lord, not!
Publisher: E.C. Schirmer
Edition ref.: 1240
Corrections: p.6, m.30 Tutti Measure # is 20, not 30 m.38 Bass I Last note should be D natural m.92 Soprano “Denn” should be “Dein” m.110 Soprano “hie” should be “hier”

Composer: Bach, Johann Christoph Friedrich
Title: Wachet auf, ruft uns die Stimme
Publisher: San Francisco Bach Choir edition
Corrections: movt.I, m.80 Bass “sied” should be “seid”
movt.II, m.36 Bass “Wuachter” should be “Wächter”
movt.II, m.96 Bass “machtig” should be “mächtig”
movt.IV, m.43 Bass “Feu-” should be “Freu-”

Composer: Bach, Johann Ludwig
Title: Das is meine Freude
Publisher: Choral Public Domain Library
Corrections: m.5 Choir II “das” should be “-de”

Composer: Bach, Johann Sebastian
Title: Komm, Jesu, Komm
Publisher: Choral Public Domain Library 
Corrections: m.4 Choir I, Sop. Underlay should be identical to ATB
m.20 Choir II, Bass First note should low C
m.27 Choir II, Bass First note should be E natural, not E flat
m.41 Choir II, Alto Text missing, should be “Frie-”
m.42 Choir I, Bass Underlay is wrong; first two notes should be sung to “dei-”
m.49 Choir II, Alto First word should be “Weg,” not “wird”
m.73 Choir II, Bass Fourth note should be A flat, not A natural
m.74 Choir I, Alto A sharp should be A natural
m.110 Choir I, Sop. High F should be F natural
m.110 Choir II, Sop. High F should be F natural
m.145 Choir II, Tenor First note should be F, not D
m.159 Choir I, Tenor Underlay is wrong; remove “-ben”
m.160 Choir I, Tenor Underlay is wrong; “die” should be “-ben”
m.161 Choir I, Bass First note (tied) should be F, not E flat
m.188 Tutti Underlay is wrong; “Wil” should be “Weil”
NOTE: Advisory accidentals are not used in this edition; therefore, unless specifically indicated, the key
signature governs each measure.

Composer: Bainton, Edgar F.
Title: Summer
Publisher: Joseph Williams
Edition ref.: W.4667
Copyright: 1924
Corrections: p.4, m.8 Alto Penultimate note should be 1/16th, not 1/8th

Composer: Bantock, Granville
Title: A Grammarian’s Funeral (Three Choruses for Male Voices, 2)
Publisher: Oxford University Press
Edition ref.: Male Voices OCS 616
Copyright: 1930
Corrections: p.19, m.1 Piano Final 1/4 note should B flat, not C
p.20, m.5 Tenor 2 First note should be dotted

Composer: Bantock, Granville
Title: Lady Fame (A Pageant Of Human Life, 6) (See below for No. 8)
Publisher: Novello
Edition ref.: 14011
Copyright: 1914
Corrections: p.20, m.5 Sop. II First note should be dotted

Composer: Bantock, Granville
Title: Lady Eternity (A Pageant Of Human Life, 8)
Publisher: Novello
Edition ref.: 14011
Copyright: 1914
Corrections: p.31, m.4 Alto II First note should be F natural, not F sharp

Composer: Bantock, Granville
Title: Requiem
Publisher: Summy-Birchard
Edition ref.: B-274
Copyright: 1924
Corrections: p.5, m.1 Sop/Tenor G flat should G natural
m.50 Baritone G should be tied A flat

Composer: Bantock, Granville
Title: The Golden Journey to Samarkand
Publisher: C.C. Birchard
Edition ref.: 1020
Copyright: 1923
Corrections: p.8, m.1 Alto “mur-mer” should be “mur-mur”
p.14, m.5 Alto 1/2 rest missing
p.15, m.3 Tenor “-bly” missing from underlay
p.17, m.1 Soprano II Bracket for triplet is missing
p.22, m.9 Soprano 1/4 rest missing

Composer: Bantock, Granville
Title: Will They Ever Come To Me (Five Choral Songs from ‘The Bacchae,’ 3)
Publisher: Joseph Williams
Edition ref.: J.W. 16603
Copyright: 1930
Corrections: p.15, m.6 after A Mezzo A’s should be A flats

Composer: Bax, Arnold
Title: This Worldes Joie
Publisher: Chappell
Copyright: 1943
Corrections: p.5, m.10 Sop. II Second note should be C flat, not C
p.5, m.11 Sop./Tenor “We shall” should be tutti
p.6, m.7 Bass I f should be marked over second, not fifth, note
p.11, m.3 Bass II Second note should be E natural, not E flat
p.11, m.7 Bass II First note should be 1/8th, tied to previous measure
p.12, m.9 Bass II First note should be tied to previous measure

Composer: Beach, Amy (Mrs. H.H.A.)
Title: The Sea-Fairies (op. 59)
Publisher: Recital Publications
Edition ref.: 344
Copyright: 1992/1996
Corrections: p.8, m.21 L.H. piano score Fourth note should be F natural, not F flat
p.10, m.8 Contralto I 2 1/4 rests missing
p.13, m.12 R.H. piano score Final B should be B sharp
p.26, m.3 L.H. piano score C should be C natural
p.26, m.4 L.H. piano score C should be C natural

Composer: Bennet, John
Title: Thyrsis, Sleepest Thou?
Publisher: Choral Public Domain Library
Corrections: m.11 Bass Advisory natural accidental should be added to E
m.22 Bass Advisory natural accidental should be added to E
m.27 Tenor “sin - eth” should be “sing - eth”
mm.42-end Bass Underlay missing
mm.44-45 Bass Underlay should be “to (A) Lon- (G) don (F)”

Composer: Bennett, Richard Rodney
Title: Heare Us, O Heare Us, Lord (Verses, 3)
Publisher: Universal
Edition ref.: 14160
Copyright: 1965
Corrections: p.4, m.2 Tutti Time signature should change to 3/2
p.4, m.3 Tutti Time signature should change to 4/4

Composer: Berg, Alban
Title: Es ist ein Reis entsprungen
Publisher: Universal Edition
Edition ref.: 18408
Copyright: 1985
Corrections: m.8 Sop. A flat should be A natural

Composer: Bingham, Judith
Title: Bach’s Tomb
Publisher: Peters Edition
Edition ref.: 71201
Copyright: 2003/2007
Corrections: Preface German text “Geton” should be “Getön”
English transl. Apostrophe missing from “bell’s”
m.32 Tenor “Shrecken” should be “Schrecken”
m.40 Alto I F should be F sharp
m.44 Baritone Unclear if stresses are missing or not
m.50 Baritone G should be tied A flat

Composer: Blow, John
Title: Let Thy Hand Be Strengthened
Publisher: Choral Public Domain Library
Edition ref.: Rafael Ornes edition
Copyright: 1999
Corrections: m.24 Tenor Third note is A, not G

Composer: Boughton, Rutland
Title: The Faery Chorus
Publisher: Stainer & Bell
Edition ref.: CL 342
Copyright: 1920
Corrections: p.4, m.8 Bass First note should be “la,” not “l”

Composer: Bourgeois, Derek
Title: Break, Break, Break (op. 134)
Publisher: Sibelius Music
Corrections: p.3, m.4 Soprano II/Alto “ten der” should be “ten-der”

Composer: Bouzignac, Guillaume
Title: Noe, Noe, Pastores
Publisher: Broude Brothers
Edition ref.: CR 44
Copyright: 1986
Corrections: m.39 Soprano I 1/4 rest missing
m.90 Bass First note should be dotted

Composer: Boydell, Brian
Title: I Loved A Lass
Publisher: Curwen
Edition ref.: 61544
Copyright: 1964
Corrections: p.2, s.1, m.1 Sop. First note is E, not C
p.2, s.2, m.1 Bass “alas” should be ranged with Alto
p.2, s.4, m.3 Alto B should be 1/8th
p.3, s.1, m.2 Sop. 1/8th rest omitted
p.3, s.1, m.6 ATB 1/8th rest should be 1/4th
p.3, s.3, m.3 Tenor 1/8th rest should be 1/4th
p.3, s.4, m.2 Bass B natural should be dotted
p.3, s.4, m.3 Sop. Rhythm of first 2 notes should be reversed

Composer: Briggs, David
Title: When Waters Kiss
Publisher: Allegro Music
Copyright: 1996
Corrections: m.8 Bass Tie missing onto m.9
m.28 Soprano II Natural accidental is redundant

Composer: Bruch, Max
Title: Sommerlust im Walde (op. 71, 1)
Publisher: Heinrichshofen
Edition ref.: N 2074
Copyright: 1988
Corrections: p.6, m.1 Sop. Should be marked “unison” after first note
p.6, m.4 Bass Should be marked “unison” after first note

Composer: Bruckner, Anton
Title: Virga Jesse
Publisher: Alexander Broude
Edition ref.: AB 1008
Copyright: 1984
Corrections: m.70 Bass G’s should be sharpened

Composer: Buck, Dudley
Title: Hymn To Music
Publisher: Banks
Edition ref.: York Series 216
Corrections: p.3, m.12 Alto Underlay should be “fold-ed”
p.5, m.13 Alto ff should be marked over first, not second, note
p.6, m.8 L.H. Piano lowest first note should be G, not A
p.7, m.6 Alto II Last note should be C flat
p.8, m.5 Sop. First 2 notes should be tied; delete slur
p.8, m.7 R.H. Piano lowest first note should be G flat, not G
p.8, m.9 Tenor Last note should be in small type only, as optional part
p.9, m.6 Piano Reduction 2nd beat should be B natural, not B flat
p.9, m.9 Alto First note should be staccato
p.11, m.4 Tutti Should be marked “Allegro,” as in reduction
p.11, m.11 Alto Last note should be staccato

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