Mårten lives with his family in the Swedish city of Uppsala, where he was born in 1965. A graduate of the Royal College of Music in Stockholm, he spent many years working with Carmen, a prominent choir for women’s voices. To this experience he attributes much of his early success, often writing for female voices. Even now he is a teacher, which he combines with a conducting and composing career; the latter has brought invitations to present at choral symposia throughout Europe, most recently in Germany and Latvia.
In 2012 Mårten was elected to the Society of Swedish Composers (FST), around the time that he began in earnest writing for mixed voices. His first efforts, for the Royal Chapel in Stockholm and various German choirs, attracted the attention and then support of Bärenreiter Edition, for whom he now writes exclusively. This distinguished publisher promotes Mårten’s works worldwide, with the result that his music is heard and recorded on both sides of the Atlantic. Following the warm reception given here to two of his earlier pieces, the Chamber Chorus commissioned from him Tonight I Dance Alone, to open our 62nd season. This piece may be heard on our website, and as a result of this positive collaboration, Mårten was invited to succeed Melissa Dunphy as our Composer-in-Residence, writing one piece per season for the Chamber Chorus starting in 2019 and serving until 2021.
It’s ironic that Mårten’s artistic creed is “my music is my own and I have never tried to be original;” for he is so often original in the way he treats familiar texts, or how he conveys universal emotions. He takes inspiration from a variety of sources, principal of which are his faith and his family. As Mårten gains even greater popularity in North America, we look forward to collaborating with him on several works as a gift not only to St. Louis, but also to the wider musical community.